Because work is underway at the 62-acre site – our high visability jackets bore the logo of a asbestos removal company – numbers were limited to eight. Security is tight, and there are dogs on the site. We will be returning as it develops over the years so more regular urban sketchers in London may get a chance to visit it to draw.
Silvertown has been a popular backdrop for films (such as Derek Jarman's The Last of England), music videos (The Smiths, Arctic Monkeys) and TV (Ashes to Ashes). Yet quite why something grim in so many ways is so moving I'm struggling to understand. What is so alluring about urban desolation? London's sights are visible in the distance: Gherkin, Cheesegrater, Dome, Canary Wharf and the cable car. But Silvertown is still the twinkle in the developer's eye. Whatever it becomes, it can never be more lovely than it is now.
|Sue Pownall, Evelyn Rowland, Lis Watkins, James Hobbs, Julie Bolus, |
Isabelle Laliberté, Olha Pryymak and Nathan Brenville
Our thanks to the Silvertown Partnership for inviting us.